This poem reclaims the original concept of "virgin," which is not what I was made to think when I was young.
Whichever way scholars trace the term, its tracks settle on self-sovereignty. A virgin is a woman (or man) who stands in her own power. A protector of small things. An archetype of fertility and growth, wisdom and war, birthing and death. A "one-in-herself," a coming together of worlds. There's a layered irony in the shift this word has taken. It has been stripped and simplified, reduced to a state of pre-penetration, objectified as inexperience, misconstrued as chaste. In a word, perverted.
Language is fascinating.
But there are remnants of its original meaning that slip through the seams. A virgin forest is self-regenerating--and, yes, in a way, untouched and unpenetrated--but at equilibrium, one-in-itself, an autonomous, biodiverse whole. In ecological terms, a climax community. To be virgin and virile need not be mutually exclusive terms.
However sullied their fabric becomes, our words can rarely escape their own inner knowing.
"Parthenos" is an epithet depicting the archetypal virgin, and stood in for many Greek goddesses, including Athena. This poem, like my own true virginity, is in a constant state of birthing.
parthenos
this thing
of native grasslands
virgin forests
blood-stream
song
is a thing
of being Virgin
already
standing strong
and a thing
not of hymen
but of archetypal
dawn
to reclaim
the Virgo-maiden
with bow and arrow
drawn
so this thing
of native grasslands
virgin forests
blood-aligned
is a thing
of being Woman
not penetrative
but divine
Photo by Dave Hoefler on Unsplash.
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